It was an organic decision to follow the very few that also doubted the official version of events. The pain of not having been able to save the life of one’s own child, while it would still have been possible, because of the power and the lies of state authorities.Īs I was aware that one day the same situation could hit my own life, I needed to understand more, to delve deeper, to reach and to try to film the well-hidden. The hardest challenge for me, as a father, was to witness the pain that parents went through after losing a child. I stayed as close to them as I could, through their innermost grief and their struggle to understand why they had to lose their loved ones, weeks after the fire, if the medical treatment that they received was as good as the authorities claimed. Together with Mihai, I plunged into the big family of the Colectiv victims. Mihai Grecea, a filmmaker himself, is one Colectiv survivor who joined my team right after he woke up from a coma. My very first attempt was to understand the direct impact of the tragedy on the private lives of the survivors and of the families who had lost their children in hospitals, after the fire. While young people injured in the fire kept dying in hospitals. I have seen manipulation silencing people and stopping them from asking questions for a time. I have witnessed during the days after the fire an institutional lie about how the authorities were perfectly managing the tragedy, that was constantly repeated to a grieving population, through all media. Like any single traumatised human, a traumatised society becomes easy to manipulate and to lie to. It felt like everybody in the country was part of it. The fire at Colectiv was a national trauma. #Collective documentary full#By being right there at that time, I experienced the full extent of the blow suffered by a democratic European society which could never have imagined that dozens of people could die when going out to a club. I have lived most of my life in Germany, but at the end of 2015, when Romanian society was devastated by the Colectiv club fire, I was back living in Bucharest. The viewer should feel as if witnessing his or her own process of personal growth through the life of others. But what I experience in the process, I am trying to frame in a way that will make the viewers feel as if they were living in close proximity to and discovering the characters. I actually never know for sure if from the moment I step into their lives anything noteworthy of a cinematic story will develop further. When I start filming a story, at first I don't want to know too much from – nor about – my characters. It is a process of learning from the life of others, of growing on a personal level by getting as close as possible, up to a point of complete identification, with the chosen protagonists. My process of documentary filmmaking is a purely observational one.
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